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“I watched the movie over and over again to really understand it. “I was just watching the movie every day,” he admitted. In preparing to craft the soundtrack, Future says he watched the original “Super Fly” on repeat. I appreciate him for even reaching out to me and giving me this opportunity.” “He listened to the music, he loved it from the beginning.

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“It’s great working with X because he let me have the free space to create,” said Future. “Someone of this caliber from the right town, someone so important to how music is shaped.” “And while he was there I said, ‘You know, this might be right,’” X recalled. History that’s already been set.”ĭirector X first met Future on the set of a Gap commercial in 2017, one that paired the rapper with Cher for a duet of Sly & the Family Stone’s “Everyday People.” “I wanted to make sure I explained it’s no way possible I’m even thinking about coming behind Curtis Mayfield,” the rapper said during an interview at Hollywood’s Chalice Recording Studio. But during those conversations I want to be real with myself, knowing there’s still a lot of work that I still want to do.”Ī huge fan of Mayfield’s, Future admits he was initially nervous when Director X approached him to curate the “SuperFly” soundtrack.

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I’m getting better by the day but at the same time I’m learning how to accept my role and understand that the work I’ve put in is cause for certain conversations. Right now I’m still learning, I’m still growing, still trying to find my way. “I want to be able to feel comfortable enough to sit on a title like that. “I feel like I’m still working towards certain goals that I have in my life,” Future demurred when asked about his response to his success. 10 spot on Forbes’ annual ranking of the highest-paid rappers and was dubbed a “rap god” in a recent Billboard article. He’s earned a reported $23 million from digital streams alone, landing him the No. Born Nayvadius Wilburn, the rapper first emerged into the spotlight in 2011 with the release of his mixtape “Dirty Sprite.” Since then he’s been a radio staple, released six studio albums (most recently 2017’s joint releases “Future” and “HNDRXX”), and pocketed an estimated $5 million on his most recent tour. And, if you’re the popping-est thing in Atlanta, you’re the popping-est thing in the world.”įuture’s accolades extend far beyond his hometown. “In 1971, if you were the popping-est thing in Harlem you were the popping-est thing in the world.

“Atlanta is the epicenter of culture,” Director X explained during an editing session for the film in April. For the soundtrack, he chose Atlanta native Future to embody “that Atlanta sound.” 72 on Rolling Stone’s 500 greatest albums of all time.įorty-six years later for his own update, “SuperFly,” acclaimed music video director-turned-filmmaker Director X sought to modernize the blaxploitation classic, swapping ‘70s funk for trap and moving the film from New York City to Atlanta, the modern-day mecca of hip-hop innovation. Rolling Stone said that Mayfield’s “Super Fly” music “packed more drama than the movie it accompanied.” The soundtrack went on to out-gross the film, receive a soundtrack Grammy nomination and place No. Mayfield wrote and produced the soundtrack, hoping to simultaneously distill and amplify the essence of the film while sonically encapsulating the rage and struggle of the drug trade and black America in the 1970s. set out to find the perfect artist to encapsulate the energy of New York City for his first film, the blaxploitation classic “Super Fly.” He found that artist in soul musician Curtis Mayfield. In 1972, in the heyday of soul and funk, director Gordon Parks Jr.